httpv://www.youtube.com/watch?v=2pWZRJd4z8o&feature=player_embedded#at=174
Free download – don’t complain.
Noisia & Foreign Beggars – Shellshock (Free Download) by NOISIA
httpv://www.youtube.com/watch?v=2pWZRJd4z8o&feature=player_embedded#at=174
Free download – don’t complain.
Noisia & Foreign Beggars – Shellshock (Free Download) by NOISIA
Slow news day.

There’s something about this final installment of the Apu trilogy that sends the burning scent of mosquito coils spiraling into my brain. It’s been a joy to revisit the films, their memories and the stunning cinematography that helps pull them thematically together. The strong black and white contrast combined with Ray’s eye for aesthetics are a visual treat, and it’s a pleasure to watch a 14-year-old Sharmila Tagore simply light up the screen with her every glance.

The latest film from Mike Leigh focuses on the complexity of family, human relationships, and life all brought to life by his story and cast. Another Year features an outstanding performance from Lesley Manville whose performance I was utterly bewitched by. How she lost out to Helena Bonham Carter at the BAFTAs is beyond me. I guess The King’s Speech just had the extra public momentum behind it.
But, much like Archipelago, Another Year moves slowly, but persistently. In some ways, Another Year is very much a thriller: it’s certainly thrilling to watch. Perhaps this is down to Leigh’s approach to character development and the incorporation of lengthy improvisation sessions.
“You start with nothing,” Manville said. “Over time we create characters. Initially it’s a one-on-one thing. You sit down with Mike and talk about the sort of character you’re interested in. You create a back story, a history. The thing about working with Mike is that he’s not just employing you, you’re not reading a script. My character, Mary, is as much my creation as Mike’s. He’s steering and guiding, but a lot is being asked of you as an actor. It’s very creative, very collaborative.”
That sounds similar to the work we did on Self Made, which is perhaps part of the reason why I found the film so appealing. Regardless, it’s a film worthy of rewatching.
I was 11 when this came out. I don’t know why, but it’s been playing in my head lately. Obviously, Musical Youth would have been the first reggae group I was ever exposed to, and that was a full five years prior to this (I still have that 7″). Musical Youth would have been closely followed by UB40 and Aswad, but in the scheme of chart reggae, this track just seems to have slightly greater merit.