Archive for November, 2010

November 30, 2010 0

Zzzz…

By in Acting

Last week of class, and it’s fair to say that I’m exhausted, both mentally and physically. It’s been demanding, and it’s not over yet. I was fortunate enough to get my scene up from Marty, and I learnt a lot from Sam’s direction during the performance. On the few days off I’ve had, I managed to sneak off down the driving range; catch up with some friends and family; and make time to see The Social Network. If you haven’t seen it yet, then I suggest you do at your earliest opportunity. Jesse Eisenberg’s lead performance is captivating and David Fincher’s direction overcomes the slump he found himself in when made those horrible Jodie Foster and Brad Pitt flicks.

I’ve also had to shuffle around my final ten albums of the year, mostly because of a certain late release, and because I found the time to listen to a couple of records I’d not got around to listening to until recently. Having time away from reviewing makes a huge difference. Oh, and I didn’t win the live reviewer of the year award – that went to a chap from The Independent. You know the one – he’s the one who makes a big deal about having that hair.

Started reading Arthur Miller’s All My Sons last night – it’s brilliantly written, and an enthralling read. Woke up today to find snow on the ground. After the tube strike prevented me from getting to class yesterday, I hope this snow won’t have the same effect. I’ve been wondering what drama project to investigate next, but whatever it is, I guess I’ll need headshots to access them, so I’ve arranged that with my friend Darren Salanson.

I’m really looking forward to the holidays.

November 22, 2010 0

The 30 Best Albums of 2010 – Part II

By in Music Reviews

So, another 10 of my favourites from this year. Why not put them on your Christmas list, and hand it out to friends, family and lovers? Tis the season to be jolly, receive, eat, argue and be jolly again. Apparently. So the season might as well have a decent soundtrack.

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November 16, 2010 4

The 30 Best Albums of 2010 – Part I

By in Music Reviews

Messageboards are about to get flamed with heady dispute by communities over a general lack of taste displayed by the unpaid writers that staff and propagate music blogs and websites. Well, though I’ve not heard every album released this year, I’ve heard a lot. My shortlist went from 50 to 40 to 33 (yeah, that was weird), before I finally settled on 30 and one honourable mention.

I was never going to attempt to put these in numberical order as they all have their place in their own genre, and they’re all brilliant. So, starting with the first 10 (I’ll release 10 a week), here we go:

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November 12, 2010 1

Southwesterly breeze

By in Acting

Arr. So, at the end of the first week of class, I’m off to the Bath Film Festival with Gillian and Sam for a Q&A on Self Made. Well, that’s just tonight, but afterwards, I’m meeting friends who come from a time when it didn’t cost £9,000 to get a useless degree. I used to work for an arts group down near Bath, so – if I’m lucky - I may also get to see people from those days too.

I’m guessing my time will be split between Bath, Tiverton and Exeter. Very much looking forward to it, as it’s been a bit of a week. Class got off to a solid start, and it’s been mentally easier to get involved. However, because I’ve not performed basic relaxation for a while, it’s my muscles that have provided the main blocking  issue. My neck and spine felt constricted with tension (most likely destroyed by all my daytime desk jockeying), and every movement was sore. A little tension was released, and for one minute I was altogether more lucid from the respite - connected. But that didn’t last long enough to get any real work done. I need to keep working at it, and loosen the joints. I’m looking into some osteopathy as I couldn’t get to see my acupuncturist when I was last in Birmingham.

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November 9, 2010 0

BOOM!

By in Random

November 3, 2010 1

There be method in it

By in Acting

 

After some deliberation, I’ve decided to take Sam’s main class again. Starting next week, it’s an intensive four week investigation into character and the self. I first took class after Self Made wrapped earlier this year, and followed it up with a mid-term session. They were both highly useful and vital experiences, but challenging. I suppose it’s the challenge I relish most when it comes down to it, but working with text, a scene partner and a director is also highly rewarding.

I’m under no illusions that this will be an gentle stroll through uneasy territory. A powerful process, I find that method within the context of class is markedly different to the processes undertaken during the filming of Self Made. However, Sam is an excellent teacher, and works incredibly hard to drive the best out of his students. What he offers up in that room at the Rag Factory is the opportunity to be creatively free and drop the everyday ‘civilian’ shell. That, by itself, took me a full three weeks to get a grip on the first time around.

I can’t imagine there’ll be time for much else to feature on the blog till December and, though I had some ideas for it, that mixtape will simply have to wait.

[Additional] Interestingly, Sam wrote a piece for What’s on Theatre.com

November 2, 2010 0

The Return of Vanilla Ice

By in Musical Murmurings

This has got to be the worst thing I’ve ever heard on Interscope. Or ever. One of the two.

November 2, 2010 0

The Ugly Duckling

By in Random

‘Because of some inadequacy in themselves – poverty or physical weakness in men, poverty or ugliness in women – those with the gift of creation built for themselves a rich interior world; and when the inadequacy disappeared and the real world was spread before them with all its wealth and beauty, they could not give their whole heart to it.

Uncertain of their choice, they wavered between goals; were lonely in crowds, dissatisfied amid noise and laughter, unhappy even with those they loved best.’

Frank O’ Connor.

November 1, 2010 0

Skeletons of Big Society

By in Random

2010 seems determined to end, and November doesn’t bring with it a huge amount of great news. The arts cuts are making me nervous. With Barnet already suspecting cuts to its service, and Somerset County Council following suit, my position as arts officer for a local authority  is truly unstable. It’s not just Quangos and Local Government that will suffer either – it’s arts establishments like the Oxford Theatre, the RSC , and local groups too as Arts Council England takes a hit. What that means for London as a whole remains to be seen, but with job opportunities within the arts sector shrinking, there would appear to be few places to go. No reasons to be cheerful there, then.

No good news for Stephen Fry either, as he vacates Twitter after some spurious comment in a magazine article. I’m not going to judge him, but I left Twitter first, Stephen, and I didn’t even say anything weird about women.

I’ve started my end of year album list, and suspect that it’s going to take some time to get it all up. As I said previously, I’ll release the 40 – 50 albums weekly starting at the end of this month.

In ten days or so, I’m going to the Bath Film Festival for a Q&A on Self Made with Gillian and Sam. I’m looking forward to that as it gives me a chance to catch up with an old friend down there, and spend time with a few people from the film. Having lived in the city for a year or so, I’m glad I’ll not be staying in Bath Spa much longer than a few hours. I’ll not be going to the Newcastle screening as there’s no way I can justify the cost that close to Christmas – particularly with a potential job loss looming.

Oh, and British Summer Time has become Greenwich Mean Time, so it’s all dark, just to reflect the current mood of the country. With no GMT, we’d get an extra 300 hours of daylight! Wouldn’t that be something? Maybe we’d drink less with more daylight – especially seeing as (today) alcohol is considered the most dangerous drug in Britain. I’m sure someone’s said that before.

Still, I did watch the cleverly conceived and well-shot Skeletons this weekend (along with a clutch of horror movies), and totally recommend it. Another example of British film in rude health. Enjoy it while it lasts.

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