Archive for 2010

December 31, 2010 0

2010 – that was the year that was.

By in Random

Well, it was a year – that doesn’t make it the year, but it was a big year, nonetheless. It started, as most years do, with January; which brought an appeal for the people of Haiti afflicted by a tragic situation – one that continues. By the time February came around, I disappeared to Newcastle to shoot ‘Self Made‘. That, as you already know, was an incredible, indelible experience. It altered my desired career path in the arts, and I’ll be spending 2011 pursuing work as an actor. March disappeared in a blue funk as the insipid return to work and normality choked the creative experience out of me; but April to July saw things pick up as I returned to acting class and began reviewing albums and gigs again. 2010 was – in my opinion – a good year for music. A fine vintage – full-bodied and very drinkable. Tellingly, a new Government came to power to make everything a little bit harder for everyone.

Come summer, and the UK Film Council was scrapped. Kate flew out to help with the Pakistan floods. I did some twittering from the High Voltage and Big Chill Festivals before declaring that I would never, ever be attending an outdoor, camping festival again.  August arrived, and I took some time off from reviewing to try and address more creative outlets, and just as I did, The Quietus asked me to write for them. I managed to fall out with some supposed ‘old friends’ in September, and then a very old friend called to re-establish contact. That was odd. October was very exciting; and ‘Self Made’ premièred over at the Abandon Normal Devices Festival before getting two screenings at the London Film Festival and another at the Bath Film Festival. Of all those, the Bath screening was the most enjoyable. With any luck, the film will be distributed throughout the UK in 2011, and perhaps appear at some festivals internationally.

Birmingham’s Supersonic Festival was easily the best music festival I’ve been to in years, but I got sick of social networking that month, and realised that having thousands of followers means little in the real world. I deleted my Twitter and Facebook accounts. Then, I was also nominated for ‘Live Music Reviewer Of The Year‘ – an award that went to Simon Price from The Independent. He’s a better writer, but I have better hair. I doubt that having my 1,063 followers on Twitter would have been much use when it came to voting. I’ve since returned to Twitter, but with no agenda other than to stay in touch with some of the lovely people I met when I was a Twitter addict (twaddict?)

November, and I was preparing for December‘s acting class. I started listing my albums of the year, as I knew I would have neither the time nor the inclination after class had begun. That class was difficult, educational, and inspiring. After four intense weeks, I fell ill; had a week off work. After that, I had two seizures and ended up in hospital: epilepsy is so very, deeply unpleasant. Since then, I have given up alcohol – nor have I smoked for about a month. I’ve been more alive since. I’ve read voraciously, and have a zest for life that I previously lacked.

Will 2011 bring anything new? Undoubtedly. Will the year be challenging, exciting, inspiring, daunting? Of course. Let’s go.

httpv://www.youtube.com/watch?v=EBK2YQPKMf4&feature=related

December 30, 2010 0

The Aristocrats

By in Film

Yes, I did miss this when it came out some five years ago. So I watched it today and laughed. A lot. Ultimately, I didn’t find any of the jokes offensive – they were mostly silly, goofy, fun. The comedians describe this one joke as a jazz riff – one they can improvise on in the middle. Some variations are funnier than others, but it’s great fun to watch. Rent or buy it. Just make sure you watch it.

httpv://www.youtube.com/watch?v=TiyoTpRGNfk

December 30, 2010 0

Monsters

By in Film

Much has been made of this low-budget début from director and writer, Gareth Edwards. And, to an extent, much of the praise is justified. Monsters is certainly an attractive film, wonderfully shot in places: it really captures the traveller’s experience of Mexico, and Costa Rica. Ben Austwick wrote a good review of the film here – it sums up much of what I thought.

Get along to see this at the cinema if you can, and don’t be overly concerned with Monsters’ higher political purpose to address American immigration concerns as it’s visually stunning and supported by solid performances from the two lead actors. Oh, and the music from Jon Hopkins is suitably constructed and played out.

httpv://www.youtube.com/watch?v=QmR-l3y_coo&NR=1&feature=fvwp

Jon Hopkins – Monsters Theme by Jon Hopkins

December 30, 2010 0

Catfish

By in Film

Identity pulls at the heart of this intriguing, and frustrating documentary.  Yet another film that revolves around the social networking of Facebook, Catfish is an electronic thriller well worth watching. Peter Bradshaw called it ‘A great companion to The Social Network’, and he’s not wrong.

httpv://www.youtube.com/watch?v=AFKe75Q6eVw

December 28, 2010 0

2011.

By in Musical Murmurings

I’m done with dubstep. It’s over. The dance music of the past decade seemed completely awash with uncertainty. It’s time for Drum n’ Bass to re-enter the arena. Preferably with proper club music like this.

httpv://www.youtube.com/watch?v=4PmCYBSdmXk

December 23, 2010 0

[Pre-Order] Hallock Hill & Tim Noble

By in Musical Murmurings

This has nothing to do with knowing Hallock Hill. The man has talent, and is a lovely fellow to boot. OK, he’s American, but you can’t have it all. Anyway, both he and Tim Noble have two incredible sounding albums coming out early in 2011 on Hundred Acre Recordings. You can pre-order both of them for a mere £10! Truly exciting stuff for the discerning music fan.

Check out the samples and then make sure you reserve your copies here.

The Miller by Hallock Hill by Hundred Acre Recordings

Llyn Conach by Tim Noble by Hundred Acre Recordings

December 23, 2010 1

Frankie Boyle.

By in Random

I wish that was a gun.

I have long loathed Frankie Boyle, not least for his crap jokes, but the spiteful ire he ‘cunningly’ disguises as humour. His recent DVD title is the warm ’ If I Could Reach Out Through Your TV and Strangle You I Would’, while his last tour was entitled, ‘ I Would Happily Punch Every One Of You In The Face.’ What masochist buys this stuff?

He’s an ex-alcoholic and drug user, so he titled his autobiography, ‘My Shit Life So Far’. Who cares about Frankie Boyle and his shit life? Clearly, a lot of people. Today, it’s transpired that he’s been using satirical, racist humour on his TV show. Great! I guess the audience will fully embrace the depth and magnitude of his actions.

When Gene Wilder was filming Stir Crazy, a food fight broke out, and a piece of watermelon landed at Richard Pryor’s feet. He walked off set. The next day, he came in with his grandmother, who then proceeded to explain what what the watermelon symbolised to her as a black person - no matter how innocent and innocuous it seemed to others (yes, Richard was on crack – I’m not justifying the action).

I understand Boyle’s satirical idea, but I don’t like it. Why couldn’t he have used a different term to achieve the same aim? Does he not understand the brevity of a white man saying the word ‘paki’ and ‘nigger’ on national television? ”Hey, look! It’s acceptable to be a satirical racist.” Is it? George Carlin and Bill Hicks tried it, while Paul Daniels and Bruce Forsyth still hold on to their aged, awkward value system.

I hate it - I abhore it – I deplore it. It’s yet another middle-class defence of  a disgusting act committed by a man less funny than Jethro. Maybe he should visit Scotland Against Racism and better understand the world he’s living in.

2% of the Scottish population are from a (non-White) minority ethnic group.

Over 70% of the visible minority ethnic population were Asian (Indian, Pakistani, Bangladeshi, Chinese or Other South Asian) .

Asian doctor and comedian, Paul Sinha, has risen to the defence of Boyle on his blog here. Funnily enough, there’s a Scottish Asian comedian called Ayesha Hazarika – where’s her fucking TV show?

Here’s my new DVD and the book’s out in paperback. Both easily shopliftable. Seriously, I have enough money now, help yourself. My new TV show starts on Channel 4 every Tuesday from November 30th. It’s called “Hide and Seek. And Rape” narrated by Sir David Attenborough in a surprisingly strong Pakistani accent.

Dig it!

Frankie

December 22, 2010 0

Puttin’ on the Ritz.

By in Film

httpv://www.youtube.com/watch?v=VH2nQHPs4aA

Always makes me smile.

December 21, 2010 0

Interview with Sal Romeo

By in Acting

Interview with Sal Romeo

Judy Kerr – Acting is Everything | Myspace Video


December 21, 2010 0

Kiss Me Like A Stranger.

By in Acting, Literature

 
This is a great, and short autobiography: I breezed through it in two days. Though Wilder could have dedicated more time to his early acting days, the reader should be satisfied with the brief insight into Wilder’s methodology. I’d no idea Wilder had worked with Lee Strasberg, or that he was one of only two actors accepted into the infamous Actor’s Studio one year. Strangely enough, the judging panel back then was X-Factor style. Wilder got two Yeses, and one No. The rejection came from Strasberg himself.

Wilder went on to perform on Broadway, work with Mel Brooks, and write great films as well as put in iconic performances. Wilder’s life is one that he celebrates, yet is marked with tragedy. It’s interesting to see how he explains his choices – and how he continually strives for a creative life.

Following two divorces, the death of a wife and his own battle with cancer, it’s amazing to think that the man is still standing – still loving – still living a life within art.

Our doubts are traitors,and make us lose the good we oft might win by fearing to attempt.

‘Measure for Measure’, Act 1 scene 4