Archive for October, 2009

October 18, 2009 0

Natural Self – My Heart Beats Like A Drum

By in Music Reviews

Let’s get something straight: a heart beats with muscular contraction, and a drum must be beaten in order to sound. So to say that your heart beats like a drum is absurd, as well as just plain old wrong. Imagine if your heart sounded like a snare drum. That’d be rubbish. Especially on a treadmill at the gym. If each heart were a different drum sound, the world’s populace could walk around this cacophonous planet where human beings made music; a bit like one giant flashmobbing ad for a thirsty mobile phone company.

Upon hearing the title track of Nathaniel Pearn’s second album for uber-hip Brighton-based label Tru Thoughts, the insipid line “My heart beats like a drum, the drum is like my heart,” got stuck in my throat as I gagged on its amateurish, rambling incoherency. Unfortunately, things get worse as Pearn and co-vocalist Elodie Rama bang on about giving us soul as the drum runs through their veins. Pardon me, while I vomit upon your unborn children.

That said, Pearn graciously supplies a mere three opportunities to hang himself, and it’s on the entirely dreadful ‘Every Day’ dedicated to “All the makers, the beat-breakers, the risk-takers, the soul shakers,” along with “All the people who keep it tight, keep it right and keep it moving along,” where the noose squeezes most of the life out of the record. Sorry, but is this 1989?  The lyric sounds like something from a Right Said Fred record, but delivered with less bald charm.

Back in the real world, and Pearn’s remaining instrumental tracks are, thankfully, a mix of inoffensive, downbeat melodies that rely on a workable combination of sweeping basslines, atmospheric twinkles and pleasing horn arrangements. Allowing himself to get swept up with nostalgic memories of jazzy boom-bap hip-hop, ‘My Heart Beats Like A Drum’ becomes an enjoyable Sunday afternoon record, particularly when Pearn bans himself from the vocal booth and delivers grouped three-part female harmonies at will, and just allows the music to do the talking. Like a drum.

Natural Self album preview

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October 18, 2009 1

BlackRoc – RZA

By in Musical Murmurings

This is the best webisode released by the collective so far. RZA plays some dirty guitar licks, smokes weed and does his Wu-Thang.

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October 18, 2009 0

The Thick Of It

By in Random

Surely, Peter Capaldi is the new Al Pacino.

Here’s an interview with him from yesterday’s Guardian.

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October 16, 2009 0

The White Stripes – Glastonbury 2005

By in Musical Murmurings

As if the Radiohead downloads weren’t enough, here’s another one. One I was actually at. 

The White Stripes – Glastonbury Festival, 24th June 2005

01 – Dead Leaves and The Dirty Ground [download mp3 ?]
02 – Blue Orchid [download mp3 ?]
03 – I Think I Smell A Rat [download mp3 ?]
04 – Let’s Shake Hands [download mp3 ?]
05 – The Nurse [download mp3 ?]
06 – Hotel Yorba [download mp3 ?]
07 – Jolene [download mp3 ?]
08 – Ball & Biscuit [download mp3 ?]
09 – My Doorbell [download mp3 ?]
10 – Cannon [download mp3 ?]
11 – Passive Manipulation [download mp3 ?]
12 – Same Boy You’ve Always Known [download mp3 ?]
13 – Hardest Button To Button [download mp3 ?]
14 – We’re Going To Be Friends [download mp3 ?]
15 – Little Ghost [download mp3 ?]
16 – Death Letter [download mp3 ?]
17 – I Just Don’t Know What To Do With Myself [download mp3 ?]
18 – Screwdriver [download mp3 ?]
19 – Seven Nation Army [download mp3 ?]

October 16, 2009 1

Radiohead – Glastonbury 1997

By in Musical Murmurings

Don’t know how I missed this, but those lovely chaps at TLOBF.com have this iconic Radiohead set available for download.

Radiohead – Glastonbury Festival, 28th June 1997
1. Lucky [download mp3 ?]
2. My Iron Lung [download mp3 ?]
3. Airbag [download mp3 ?]
4. Planet Telex [download mp3 ?]
5. Exit Music (For a Film) [download mp3 ?]
6. The Bends [download mp3 ?]
7. Nice Dream [download mp3 ?]
8. Paranoid Android [download mp3 ?]
9. Karma Police [download mp3 ?]
10. Creep [download mp3 ?]
11. Climbing Up the Walls [download mp3 ?]
12. No Surprises [download mp3 ?]
13. Talk Show Host [download mp3 ?]
14. Bones [download mp3 ?]
15. Just [download mp3 ?]
16. Fake Plastic Trees [download mp3 ?]
17. You [download mp3 ?]
18. The Tourist [download mp3 ?]
19. High & Dry [download mp3 ?]
20. Street Spirit (Fade Out) [download mp3 ?]

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October 16, 2009 0

BlakRoc – Ain’t Nothing Like You (Hoochie Coo)

By in Musical Murmurings

BlakRoc – Ain’t Nothing Like You (Hoochie Coo) by The Line Of Best Fit

So what do we think? Not bad, eh?

I think there’s better to come. Album due on November 30th.

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October 15, 2009 0

King Cannibal – Chaos ADD Mix

By in Musical Murmurings

King Cannibal – Knowledge mix by knowledge

* King Cannibal – Intro (Ninja Tune)
* Svarte Greiner – Where Am I (Type Records)
* 2562 – Channel Two (Tectonic)
* Unknown – Unknown, Acappella
* Distance – Night Vision, Skream’s So Nasty Version (Planet Mu)
* Moderat – Rusty Nails, Shackleton Remix (B Pitch Control)
* Freund Der Famille – Pewars (Freund Der Famille)
* Moderat- A New Error, Headhunter Remix (50 Weapons)
* Mims – Like This, acapella (Capitol)
* Clouds – Protecting Hands (Deep Medi)
* Bakongo – Bambara (Roska Kicks & Snares)
* Sendai – Sustaining The Chain (Time To Express)
* Milanese – The End, Untold Remix (Planet Mu)
* Vaccine – Radiate (Offshore)
* TIgerhook Corp – Evil Eyes (Vamp Tech Recordings)
* Sendai – Sustaining The Chain, Peter Van Hoesen Remix (Time To Express)
* Pearson Sound- Wad (Hessle Audio)
* Pearson Sound – PLSN (Hessle Audio)
* SP:MC – Taiko Dub (Tempa)
* Burnkane – You Will Forget (Planet Mu)
* Scuba – From Within, Marcel Dettmann Remix (Hot Flush Recordings)
* Monolake – Titan (Imbalance Computer Music)
* Page – Ballin Is My Hobby Remix acapella (unknown)
* Von D – Echolow (Black Achre)
* Monolake – Titan (Imbalance Computer Music)
* Scuba – From Within, Marcel Dettmann Remix (Hot Flush Recordings)
* Micronauts – The Jazz (Loaded)
* XXXY – Constant (Mindset)
* Babylon System – Loaded (Argon)
* SP:MC – Taiko Dub (Tempa)
* XXXY- Reflections (Mindset)
* Sarantis – Nitroglycerine, MRK 1 Remix (Senseless)
* Martyn – All i Have Is Memories (Applepips)
* Shortstuff – Progression (Formant Recordings)
* Skream – LIghtning (Tempa)
* Scuba – Klinik (Hot Flush Recordings)
* Athues – Sphere One (Baum)
* Shortstuff – A (Formant Recordings)
* Peter Van Hoesen – Attribution One, MLZ Remix (Time To Express)
* Sendai – Sustaining The Chain  (Time To Express)
* Monolake – Titan (Imbalance Computer Music)
* Freund Der Famille – Pewars (Freund Der Famille)
* Jeff Mills – The Bells (Purpose Maker)
* Aviv Geffen – It Was Meant To Be A Love Song, King Cannibal Remix (Mars Records)
* Scuba – Ruptured, Surgeon Remix (Hot Flush Recordings)
* Round One – I’m Your Brother, Chicago Mix (Main Street)
* Vaccine – Radiate (Offshore)
* LL Cool J – Goin Back To Cali (Def Jam)
* Huey – Pop Lock & Drop It, Acapella (Jive)
* South West Clik – All Chrome 38 Blacked Out 9, Acapella (unknown)
* Freund Der Famille – Symbian (Freund Der Famille)
* Master P – I Need Dubs, Acapella (Koch)

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October 14, 2009 0

Win a limited edition Gallows Tee

By in Interviews, Random

Gallows_Shirt_Design

COMPETITION IS NOW CLOSED!

Want one of these? Well, Topman have convinced Lags from Gallows to create a design specifically for them as Gallows roll through Topman’s CTRL. There’s only 50 in existence and I’ve been offered one as a prize to give away.

SO, if you’re a fan of the band (and after their album ‘Grey Britain’ earlier this year why wouldn’t you be?), drop me a line through the contact page with the answer to this simple question: 

What is Gallows’ drummer Lee’s favourite Metallica album?

HINT: Read the following interview with Lee and Lags from the band.

CTRL:  Gallows Interview

 Q:  OK so new bands then, give us a few off the top of your head…

 Lee:  The first band is probably Sharks we’re taking them out on tour in November December… They’re a bit different you know, they’re like a mix of Joy Division and kind of a new….

 Lags:  ….Undertones.

 Lee:  Yeah, Undertones, a lot of like more Indie Brit pop influences, they put on a really good show too.

 Q:  Are they still quite heavy as well?

 Lags:  They’ve got a real new wave feel to them, which is cool cos’ there aren’t too many new wave bands around today, like they look as though they should be in the Smiths or something not Kings Of Leon like most other bands these days.

 Q:  Are they going to confound the expectations of the Gallows crowd?

 Lags:  I think what we’ve always done in the past, like when we took out Lethal Bizzle, is show our eclectic taste in music, we don’t want to be one of those bands that gets thrown in with every heavy punk hardcore band.

 Lee:  Also on this tour is Trashtalk  - this Californian hardcore band, and you need to check out their live shows on Youtube because they are just insane.

 Lags:  I’ve got a feeling there will be some sort of competition – who can destroy themselves the most?

 Q:  What is the worst gig related injury sustained by Gallows to date?

 Lags:  Well I knocked myself out recently on stage, there are loads! Hit myself in the face with my guitar, Frank’s been knocked out…

 Lee:  …I broke a rib stage diving!

 Q:  Any other new bands? Anything else you’ve heard recently?

 Lags:  This band called More Than Life who are from the West Country – they’re farm boys.  The thing about the UK hardcore scene is that I think a lot of it sounds the same whereas these dudes bring a bit more musical edge to it.  The songs are quite catchy but are still really heavy and raw.

 Lee:  I’m gonna mention our bass player Stu’s band, this other band. They’re called Spycatcher. It’s actually 3 or 4 of our friends from back home are in that band. What does Mitch play? Guitar doesn’t he?

 Lags:  Yeah

 Q:  Can you see yourself shifting towards other styles as the band goes on?

 Lags:  Oh yeah definitely. I mean if you listen to our new record there is big piano and orchestration and stuff on it, which I wrote myself.  I’m really into the idea of writing soundtracks and more epic soundscapes as it were

 Lee:  I think it could go any way really, I don’t really know what’s going to happen with our new record. It could end up even heavier!

 Q:  Shall we talk about places around the world – maybe its places you’ve visited, certainly venues that you’ve enjoyed playing around the world, or maybe scenes that you find inspirational.

 Lags:  One of my favourite places is Austin in Texas, we’ve done it twice, with south by south west, and we also played there again on our last headliner US tour.  The atmosphere is electric and there is such a creative vibe and buzz about the town and we have so many friends there, and like all my favourite times hanging out with people have been in Austin.  And the girls are beautiful!

 Lags:  Another place, which is just amazing, is Japan, if you want to go somewhere and feel like you’ve landed on another planet, then Japan is probably the ultimate place.  Its just got such a crazy atmosphere, when we’re hanging out in Tokyo, and we’re going around all the shops and the cool parts of town, everyone is just dressed as if they are going to go on the biggest night out ever, but that is just how they dress everyday.

 Q:  What is the scene like for you out there?

 Lee:  It was actually really weird when we touched down the first time we went over there, like literally two or three minutes after we’d left our hotel a gang of Japanese kids came up to us, they knew who we were and they had all our records ready for us to sign, and that totally blew our minds, like no one recognises us in England.

 Q:  How do you go down in the rest of Europe, where about are the kind of hot spots for you?

 Lee:  Milan is also awesome.

 Lags:  I really like Berlin, I think Berlin is an awesome city, its quite a big place but there is a lot to do.

 Q:  Do you get much of a crowd in Berlin, it doesn’t really seem like that much of a rock city?

 Lags:  Last time we played Berlin we were supporting Korn and Machinehead so it was a bit of a weird gig, it was in some fort just outside of the city, some castle where you have to cross a moat to get in.

 Q:  Cool, shall we talk about albums that you either grew up with or there are stories associated with.

 Lags:  You’re going to say Bowie aren’t you.

 Lee:  Ziggy Stardust and the Spiders from Mars!  My dad is a huge Bowie fan and he took me to go see him when I was about 4 or 5.  Its like 11 tracks of the best rock and roll music you’ll ever hear- the production is awesome considering it was made in the early 70’s and every track on that record is a classic and I’ll never get sick of listening to it.  If anyone doesn’t have that album then they need to buy it or their house will fall down.

 Q:  What other Bowie albums come close?

 Lee:  A lot of his older one’s come close, like Hunky dory is great and I really like Low even though it is a bit more experimental, I like every record he’s put out to be honest.  I think he is just one of the greatest artists of all time, well the best Britain has ever produced anyway.

 Q:  Which Metallica album stands out to you?

 Lee:  The Black album is the one I remember.  I was in my early teens back then and I’d not really heard any heavy music.  I remember going into Virgin Megastore in Watford and you were working there..

 Lags:  Right..

 Lee: … and I remember asking if I could listen to the ‘Black Album’ and you put it on for me on the listening post and I remember thinking this is the best thing I’ve ever heard.  It was so heavy and sounded so tight.  Being a drummer, I’d never even heard much double pedal, I took it home and listened to it everyday for about two years.  I still listen to it every week – its one of my all time favourite.  Its still not as good as ‘Justice For All’, but The Black album that’s the one with a story for me behind it.

 Lags:  I think the Beatles are such an inspirational band, they are one band who have created modern music to me anyway. They came just after the whole rock and roll boom but they just took music and made it pretty much unreachable for other bands at that time.  For me I think ‘Revolver’ was that change and songs like ‘Eleanor Rigby’ and ‘Tomorrow Never Knows’, and I just think that back then that was probably the craziest thing that any band could ever do and they were doing it and they were all the more successful for it, and so for me like that album definitely set the bar for every other band to follow them.

 Q:  Have you ever seen McCartney play live?

 Lags:  Our second Gallows gig was in London and we were walking past EMI in Soho Square, or Apple, well whichever office, and Paul McCartney was walking out and that was the closest…

 Q:  You didn’t run up to him then?

 Lags:  No there was already a million Beatles fans there with records.

 Q:  Was classic British metal important to you or not?  You share management with Iron Maiden.

 Lee: I think they put on one of the best live shows out of any UK band.

 Lags:  I’m a huge Sabbath fan.  I know people have argued that the first heavy metal songs were The Kinks ‘You really got me’ or even The Beatles ‘Helter Skelter’.  But Sabbath, they created heavy metal as we know it from the imagery to the music and the first album.  They recorded that album in like two days, so at the same time they are inspirational to other musicians out there to just get tight and play instruments and don’t rely on Pro Tools.

 Q:  Okay, lets talk about favourite things.

 Lee:  Well I’d start with my parents and my girlfriend, family.  They are probably my biggest fans.  My dad comes to near enough every show- he likes to think he’s the fifth member of the band sometimes.

 Lags:  I’ve got a mum and dad tattoo and then I’ve got family on my wrist.  I can’t believe how supportive my mum and dad were, even when they had doubts that I was ever gonna get anywhere in life.

 Q:  How did you expect your parents to react to the announcement that you were jacking everything in to be in a band?

 Lee:  I think they were a bit resentful at first that I was sitting around some days when we were not on tour doing nothing.  My dad was still going to work and I used to just laugh like ‘yeah I’m just sitting here getting paid for it you know’.

 Q:  Maybe that’s why your dad wanted to become the fifth member of the band!

 Lee:  Yeah but then they realised that the band’s an every day thing- that even when we’re not playing, the band is our lives.   I think it’s hard for any parent really to understand that their son or their daughter is going to be in a band and tour the world.  It’s just something you don’t expect!

 Q:  Better than working in an office then?

 Lags:  The problem with rock and roll is that there are so many vices connected to it – parents are bound to be scared that you’re gonna go on tour and come back a heroin addict or whatever.  But they know us so well and they know that we’re not the kind of people to fall into any trap, whether it be drugs or alcohol or women.

 Q:  Okay that’s a good entry, what’s number two?

 Lee:  I’m gonna be really geeky and say my collection of Batman comics, they are a favourite thing of mine because I’ve spent about the past 6 months to a year building up my collection so I now pretty much own them all.  I’ve got a batman tattoo so, it’s just a personal thing to me!

 Lags:  Definitely my music collection.  I remember when I was buying CD’s growing up my mum would go spare that I’d be spending all my pocket money just buying music.  Even today I’m not the kind of guy who would download something, I have to have the physical format.

 Lee:  My season ticket to Tottenham is probably one of my favourite things.  I’ve had it for about 10 years now.  Football is my main passion other than the band.

 Also, I think our laptops should probably be in there somewhere..

 Lags:  Yeah everyone has got to have an laptop, I don’t think I could survive without it, if you’ve got it on tour its just the ultimate tour accessory; you’ve got movies, music, you can record guitar riffs, you know it can do everything, you just compile all the things in your life into it.  If it could cook for me, it’d be amazing.  If I could just press a button and sushi rolls started coming out!

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October 13, 2009 0

The Rub

By in Musical Murmurings

funk_e_4

Thanks to theshipment over at DiS for pointing out this veritable goldmine of hip-hop mixtapes dating back from 1979 all the way to 1999.

If you’ve got a spare 20 hours, you could do worse than heading over to The Rub and getting schooled.

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October 12, 2009 0

Thavius Beck – Dialogue

By in Music Reviews

“I’m of the opinion that if you have a platform to say something, don’t just say some bullshit. Use that platform to say something worthwhile – it doesn’t have to always be ultra conscious or serious, but if every song you make is about bitches, cars, and drugs, you either live a very empty life or you’re a huge liar.” Thavius Beck.

Titling an album can be one of the hardest things an artist has to do. Without clarity of vision, it’s possible to get completely lost, enmeshed within the solitary jungle of creation with no room for thought about what may happen along the way and how those eventualities might affect this daunting task.

As can be seen from his quote, Thavius Beck would appear to not suffer these problems. Yet, calling an album ‘Dialogue’ when it’s really a monologue with a view to dialogue, suggests a propensity for argument. And arguing is pretty much what Beck is doing; with everyone, including himself.

Of the 15 burning, riotous hip-hop diatribes presented here, 13 carry one-word titles: ‘Painful’, ‘Hardcore’, ‘Money’, ‘Violence’ and so on. It’s important the listener understands the picture, so, lyrically; Beck deals in hefty swathes of brevity. Musically, however, Beck could care less.

From the off, anti-ringtone Ranthem ‘Cracking The Shell’ (“Do what you will to make your life just”), has much in common with the output of early Public Enemy recordings, by bearing facets set to unsettle listeners. With no silence, each track runs into the next, lending Dialogue a fake compulsion which only augments Beck’s argument for a platform to rap from.

Fortunately, the mechanical machinations he chooses to deploy are generally successful as he gathers source material from mainstream rap, before purifying it by pouring molten electrolyte into its current. Arpeggiated synthesisers and sub-bass lines are the musical staple of Dialogue with this combination being most effective on the neck-snapping ‘Go’ replete as it is with double-time verses and synchronised scratches.

Beck straddles a thin line between political gangster and sermonising buffoon, but Dialogue finds him confidently aiming for a casual hit upon any fakers that stray across his path. Where there is war, there are casualties; and Beck’s counting on that.

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