Archive for August, 2009

August 30, 2009 1

Sukh Knight / Nasha Experience 12″

By in Music Reviews

The blistering beatery of Nasha Records will create dancefloor hell with their forthcoming 12″.

‘Jewel Thief’ by dubstep heavyweight Sukh Knight , ‘Flyer Manz’ and ‘Clotted Cream’ by The Nasha Experience all on one piece of wax? Dayyyumn!

Out on Nasha Records, watch this space for confirmation of release date.

ewel Thief by Sukh Knight , Flyer Manz and Clotted Cream by The Nasha Experience all 3 Tracks on 12” Vinyl OUT SOON!! on Nasha Records Watch this space for dates to be confirmed….

My favourite cut from this is ‘Jewel Thief’ but having been asked to hold off from letting you hear that, check out the fierceness of ‘Flyer Manz’. And if you don’t already own the Nasha Compilation, V3, that was released earlier this year, then you really should.

Flyer Manz – The Nasha Experience

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August 29, 2009 0

Apollo – Past, Present, Future

By in Music Reviews

Apollo, the ‘ambient’ subsidiary of rightly famed and recently resurrected Belgian dance music label R&S Records, has resurfaced with an outstanding compilation of blissed out beats. Having released Aphex Twin’s genre-defining ‘Selected Ambient Works 85-92′, it’s appropriate that a remastered ‘Heliosphan’ features here, encapsulating everything good about the label. With warm, vintage tones set to a throbbing breakbeat, it’s just one of many styles represented here: trance, hip-hop, trip hop, acoustic indie, and even reggae feature with a deft vocal performance from Finley Quaye on Manna’s ‘Who Changed The Order?’ Set to the steady heartbeat of a trembling sub-bass note, its ambience allows Quaye to shine as he sings, quite beautifully, “Somebody change the order, humanity’s in trouble, trouble, trouble.” It’s perfect late night listening.

The overall feel is reminiscent of Global Communication’s classic ’76.14′, with a tone throughout that suggests comedown music for the early mornings after spending a vicious night in thronged spaces imbibing various lethal, mind-altering substances in small yet effective doses. Though this trait is evident everywhere, the steady, childlike techno of Andromeda’s ‘Mundo Musique’, which casts a spell over the listener as pulsing synths and broken tweeter sounds are steadily built and then dropped, seems to exemplify this music.

Not one of the 14 tracks presented here is less than excellent. Label owner and selector, Renat Vandepapeliere, has done a fine job of filtering and filling the entire length of a CD, which kindly ensures value for money. As the title suggests, it’s not just vintage tracks appearing here. New material from hip-hop producer Paul White (‘Alien Nature’) and remixers Bullion (‘Rude Effort’) is included alongside an exclusive, acoustic ‘Dreams’ by Dave Angel.

‘Past, Present, Future’ comprises a fine balance of material, almost functioning as a mixtape on its own. Subsurfing’s eight minute, instrumental, dub excursion, ‘The Number Reader’, lies between two tracks by The Locust: the trippy, drifting ‘I am a murderer’ and the chilled ‘Just like you’, with both boasting sensual vocals to massage tight knots in tense shoulders, revive tired legs and relieve aching jaws.

With dance heavyweights such as Underworld and Biosphere appearing alongside lesser known bands such as Pinback whose fantastic ‘Penelope’ kickstarts the album; ‘Past, Present, Future’ serves as a stark reminder and brief introduction to the label. Welcome back, Apollo. It’s great to hear you again.

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August 29, 2009 0

Three Trapped Tigers – EP 2

By in Music Reviews

’6′, the first track of the imaginatively titled follow-up to debut EP1: EP2, opens with a mournful, reflective fuzz before breaking into a warm, ’80s inspired, synth-driven wonderland that’s complemented by looped harmony vocals singing nothing but vowels. A sparkling, off-beat track that finds clean guitars subtly providing melody, the glitch elements of TTT find themselves temporarily taking a back seat as this introduction soars dramatically through grey clouds like a victorious Maverick in an F-14 Tomcat.

’7′ is altogether more familiar territory for the Tigers and the Tomcat’s fuselage is broken apart by pummelling, industrial, filtered drums that hide a menacing monosynth. ’7′ demonstrates that TTT are on their way to shedding Squarepusher’s ‘Big Loada’ skin that so ably protected them on EP1. Surging Led Zeppelin style riffs announce a change in time signature and the group segue from the dramatic to the melodramatic as they begin to waft gentle guitar harmonics at the recording desk. TTT’s strength come from their complex arrangements which are driven by an incomprehensibly intuitive groove. Now with guitarist Matt Calvert on production duties, EP2 benefits greatly from a vastly improved sound.

Set to present the greatest challenge to the listener. ’8′ is all squealing feedback, 303 squeak, mangled artificial harmonics augmented by manic drums: the musical heartbeat of a robot on amphetamine. Rewind, close the eyes and let the sounds pound. Soon, the chaos becomes robust, a groove locks and as the Vernon Reid guitar riffage climaxes, the song blows out like a candle caught in the eye of a fantasy hurricane.

The inescapable influence of Aphex Twin is at work with the mellifluous, sorrowful and dynamic ’9′. Reminiscent of The Romance Of Young Tigers who seek crescendo at every opportunity, ’9′s impending dissonance is unexpected, ending abruptly with the airy harp-like piano it began with.

EP2 is simply better than EP1, which, if you’ve heard EP1, signifies a somewhat speedy growth. To paraphrase the Wu Tang Clan: “Three Trapped Tigers aint nuthing ta fuck wit!”

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August 29, 2009 0

Eyedea & Abilities – By The Throat

By in Music Reviews

In light of the recent unadventurous release by Tom Morello and Boots Riley under the curious moniker of Street Sweeper Social Club, anyone could be left thinking that rap-rock as a genre was dead. Perhaps the last time a decent rap-rock record surfaced was back in 1993 when soundtrack ‘Judgement Night’ brought iconic rap artists and rock bands together (Sir Mix-a-lot and Mudhoney for example). Since then, there’s been a slew of awkward, rabid rap-metal noise under the guise of Nu Metal, (Frederick Durst et al) and quite awful it was too.

Rhymesayers labelmate and fellow Minnesotan P.O.S utilised punk guitars on his 2006 album, ‘Audition’, whereas this year’s excellent ‘Never Better’ LP favours a more straight-ahead hip-hop approach; but Eyedea & Abilities have gone the other way. Forgoing traditional hip-hop loops, Eyedea & Abilities’ third album (their first in five years) slips on an indie-rock costume accessorising with broken guitars and splintered drum beats.

‘By The Throat’, much like the title, is a brusque affair. With MC Eyedea vomiting rapid streams of consciousness (likely to represent his writing technique as a battle MC) into the atmosphere, most songs here follow a terse verse, chorus, verse, chorus, end structure that some may not agree is involving enough. Nevertheless, the more optimistic listener may well argue that Eyedea & Abilities are simply dealing in brevity: a brevity that is heavy, occasionally philosophical, and interminably emotional.

Whether addressing popular topics such as gun crime on ‘Time flies when you have a gun’ (“You can own it, but mostly it’ll own you, yeah”) or fame on ‘Factory’ (“You’re so sex, you’re so drugs, you’re so rock and roll, you’re so in the moment, you’re so self-centred, you’re so sad because you’re so cliche”), Eyedea & Abilities manage to keep the content fresh by employing an archetypal approach.

A grand addition to this originality is the unusual turntable trickery of DJ Abilities who, like Kid Koala, eschews battle records in favour of original instrumentation on wax. The best example of this comes on ‘Spin Cycle’ which boasts highly melodic flares and cuts and is, by a long way, one of the finest scratch solos committed to tape in some time.

This level of invention means that ‘By The Throat’ is an unusual hip-rock record. Embracing the quirky, fucked sounds of anti-folksters like Jeffrey Lewis along with the dirt of Sub Pop groups like Nirvana, ‘By The Throat’ represents a mature growth in independent hip-hop and is a credible addition to the prestigious Rhymesayers catalogue.

(Frederick Durst et al)

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August 25, 2009 0

Stevie Ray Vaughan

By in Musical Murmurings

When Stevie Ray Vaughan (SRV) was alive, he was the best blues guitarist around. I will gladly fight anyone who disagrees. His love of Jimi Hendrix, though apparent, was built upon in truly unique style. His adaptation of the standard blues shuffle into the jerky ’Texas Shuffle’ became his signature, and backing band Double Trouble continue to wield a hefty influence on their native Austin today. But the thing that separated Stevie from every other blues guitarist on the planet was his tone. That thick, steel, Texas blues tone packed with feeling is his greatest legacy.

Many guitarists today try to replicate the sound and though possible to emulate with the right gear, no-one is ever going to replicate it. I’ve modified my Ibanez TS9 back to a TS-808 Tube Screamer (now re-released); I play a strat (with a Texas humbucker in the mid position); I use a CryBaby Wah (as anyone should) – but it’s nothing without the amps.

Where can I find a 1959 Fender Bassman or a 1967 Super Reverb, and how could I buy them without the associated costs ending in my wife filing for divorce? There are things best left to the experts. Shit, even if I had all the gear, I couldn’t buy Stevie’s fingers or soul.

Stevie Ray Vaughan died August 27, 1990. Soon, it’ll be 20 years since his passing. I went on a pilgrimage to Austin one year, where I sat down by the memorial statue of him and watched as people walking by, stopped to touch his hand and wish him “Good Morning, Stevie”. Someone had even put a flower in his picking hand. It was heartening to see the impact that this guitarist could have on his hometown.

But it was bigger than that, Stevie shook up the world. Maybe not the pop world, but then blues can’t do that – it’s made its contribution already. After overcoming a string of alcohol and drug problems, Stevie was 35 years old when his Wisconsin helicopter crashed into a hill tragically killing all five people on board.

Perhaps my favourite of all Stevie’s performances is Live at El Mocambo (£6.99 from Play.com). It contains, for me, all the elements that made him a guitar legend. The rapid licks, strung out overbends and electric showmanship; the vomit-inducing, spine-tingling passion all propelled by a soul and natural ability the likes of which we have  not seen or heard since.

 

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August 24, 2009 2

Fresh Espresso – Diamond Pistols

By in Musical Murmurings

Oyyyy – here’s a well good tune by these hip hip-hoppers.

Diamond Pistols is a mucho banging choon. Download it, and if you like it, then go here and get another four tunes for free.

Sound good? Sounds fresh.

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August 24, 2009 0

DJ Bobafatt – Whatever, innit (III)

By in Musical Murmurings

Part III of this rather smashing series of mixes by DJ Bobafatt is now available for your aural delectation. Here’s the download link to the 70+ minute mashup, here’s the link to the previous mixes and the tracklist is below.

Major Lazer ft Mr Vegas & Jovi Rockwell – Can’t Stop Now
Cherine Anderson – Talk If Yuh Talking
The Heavy – Cause For Alarm
James Brown – Sunny (Featurecast Regroove)
The Burbs – Organic
Amede & The Soundsmith – The Underground Reprise
Shafiq Husayn ft Fatima – Lil’ Girl
Jay Z / Beyonce / Arrested Development – Bonnie & Clyde ’03 (DJ Crooked remix)
Jill Scott – A Long Walk (Dodge Remix Pt 1)
Mystro – Mess I Ever Had
Jay Z – D.O.A. (Chase & Status Remix)
Peter, Bjorn & John – Nothing To Worry About (Troublemaker Remix)
Jazmine Sullivan / Missy Elliot – Backstabbers
Faith Evans – Mesmerized
Kid Cudi – I Poke Her Face
Brooklyn Slamlords – Keep On Movin’
Alborosie ft I Eye – Mama She Don’t Like You
Blondie / Souls Of Mischief – Heart Of Glass (’93 Til Infinity Al Fingers Remix)
Muhsinah – Re:Outsourced
Mr Scruff – Cheeky
Burial & Four Tet – Moth
Floating Points – K&G Beat
Nicole Willis & The Soul Investigators – If This Ain’t Love
Duck Sauce (A-Trak & Armand Van Helden) – Anyway
Gramophonedzie – Why Don’t You
MSTRKRFT / John Legend – Heartbreaker (Laidback Luke Remix)
Major Lazer ft Vybz Kartel – Pon De Floor
The Nextmen ft Ms Dynamite & Andy Cato – The Lion’s Den
Groove Armada / Bassnectar – Superstylin’ Smashup
Eve / Benga – Me N My
Mungo’s Hi Fi – Haffi Rock
Beenie Man – Trendz
Cessa – Recon Sbtrkt Remix
Hackman – Illusionz
MJ Cole – Sincere (Nero Remix)
The Moody Boys – Free

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August 22, 2009 0

Beatles Rock Band footage

By in Musical Murmurings

Good grief. This looks amazing. And you’ll be able to download the whole Abbey Road album to play along with. Even the animated chord changes are as they should be and there’s some great detail to the Apple rooftop gig, Cavern, Budokan and Ed O’Sullivan scenes. Sounds good too.

 

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August 21, 2009 0

Breakage – Run ‘em out (ft Roots Manuva)

By in Musical Murmurings

Been missing some decent output from Roots Manuva and I’m not sure this bass-heavy vehicle driven by Drum n Bass producer Breakage is likely to change that. The track just doesn’t move enough; though it’s probably enough to get the shoulders shrugging and knees flexing in the dubstep clubs.

Anyway, this is out on September 7th – Digital Soundboy.

Breakage – Run ‘em out (featuring Roots Manuva)

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August 21, 2009 0

Virgil Howe – Someday

By in Musical Murmurings

Hmmm, I quite like this. Released on 3 Bar Fire 19 October 2009, this young son of guitar legend Steve Howe has concocted a savoury, retro stew of laid-back funk and soul. Check out the tone of that guitar lick. Tasty.

Virgil Howe – Someday

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